ABOUT




HEROES STANDARD 
VARIANT LP RECORD


CLIENT: METRO BOOMIN, BOOMINATI WORLDWIDE, 
REPUBLIC RECORDS, MARVEL ENTERTAINMENT, AND 
SONY PICTURES ANIMATION
PACKAGE ART DIRECTION AND DESIGN:
JOE SPIX AND ALEX KALATSCHINOW

CLIO® Bronze Award for Album Launch/Artist Promotion Integrated Campaign (2023)

 To pair with the highly anticipated blockbuster’s release Marvel Entertainment and Sony Pictures Animation requested a robust product line that would encapsulate the world of Miles Morales’ Spiderverse. I created visually unique record designs for each release with their own theme centering around the award winning animation stills while working in visual nods to the original comic book source material. The liner notes’ typographic system was created to mimic comic book speech blocks and to allow distinct layouts for each individual record.

FRONT COVER
BACK COVER
JACKET INSERT
SLEEVE 1 BACK AND LABEL
SLEEVE 1 FRONT, JACKET GATEFOLD, SLEEVE 2 FRONT
SLEEVE 2 BACK AND LABEL



VILLAINS TARGET™
VARIANT LP RECORD


CLIENT: METRO BOOMIN, BOOMINATI WORLDWIDE, 
REPUBLIC RECORDS, MARVEL ENTERTAINMENT, AND 
SONY PICTURES ANIMATION
ROLE: PACKAGING ART DIRECTION AND GRAPHIC DESIGN

CLIO® Bronze Award for Album Launch/Artist Promotion Integrated Campaign
 For the Target™ exclusive variant of the soundtrack the team and I focused on the darkside of the Spiderverse. The color palettes of each of the film’s villains are visual themes throught the package design, black and white “Spot” and black and purple “Prowler” vinyl colors were selected as an homage to the film’s newly introduduced characters.

FRONT COVER
BACK COVER
JACKET INSERT
SLEEVE 1 BACK AND LABEL
SLEEVE 1 FRONT, JACKET GATEFOLD, SLEEVE 2 FRONT
SLEEVE 2 BACK AND LABEL



CONCEPT ART WALMART™
VARIANT LP RECORD


CLIENT: METRO BOOMIN, BOOMINATI WORLDWIDE, 
REPUBLIC RECORDS, MARVEL ENTERTAINMENT, AND 
SONY PICTURES ANIMATION
ROLE: PACKAGING ART DIRECTION AND GRAPHIC DESIGN

CLIO® Bronze Award for Album Launch/Artist Promotion Integrated Campaign
 I was fortunate enough to work in close collaboration with the Sony Pictures Animation team, pulling from the studio’s in progress concept art, visual research, and storyboard archive for the Across The Spiderverse film. We seamlessly integrated franchise assets into our comic book inspired typographic system as a salute to the franchise’s vast and diverse fanbase. Sony Pictures would later release these source files as a hardcover book release, Spider-Man: Across the Spider-Verse: The Art of the Movie.

FRONT COVER
BACK COVER
JACKET INSERT
SLEEVE 1 BACK AND LABEL
SLEEVE 1 FRONT, JACKET GATEFOLD, SLEEVE 2 FRONT
SLEEVE 2 BACK AND LABEL



PICTURE DISC SET 
AND 7” SINGLE


CLIENT: METRO BOOMIN, BOOMINATI WORLDWIDE, 
REPUBLIC RECORDS, MARVEL ENTERTAINMENT, AND 
SONY PICTURES ANIMATION
ROLE: PACKAGING ART DIRECTION AND GRAPHIC DESIGN

CLIO® Bronze Award for Album Launch/Artist Promotion Integrated Campaign The above picture disc design was created to commemorate the introduction of fan favorite Hobie “Spiderpunk” Brown, I personally created the character collages using Sony’s animation assets to reflect the rebellious nature of his persona with copious ammounts of spray paint overspray and aggresive texturing. The side breaks of the release were unified into the mandatory legal line to create a character focused record design. The 7” single was included into limited edition bundles alongside the physical release of the film to boost preorder sales.

PICTURE DISC SIDE A
PICTURE DISC SIDE B
PICTURE DISC SIDE C
PICTURE DISC SIDE D
7” SIDE A
7” SIDE B



ILLUSTRATED CD
VARIANT COVERS


CLIENT: METRO BOOMIN, BOOMINATI WORLDWIDE, 
REPUBLIC RECORDS, MARVEL ENTERTAINMENT, AND 
SONY PICTURES ANIMATION
ROLE: ART DIRECTION AND ILLUSTRATION

CLIO® Bronze Award for Album Launch/Artist Promotion Integrated Campaign

 To continue the robust rollout of the Spiderverse project I personally illustrated the above CD cover variants for each product distributor. Every cover’s color palette was inspired by Sony’s award winning character designs, while combining in parts of their own narrative journey. Miles’ cover is graffiti spray paint textured like his Brooklyn roots, Miguel’s is based off of a real life circuit board, while Gwen’s cover was created completely with watercolors. The film’s signature benday dots are seen throughout.


“MIGUEL O’HARA” WALMART™ COVER VARIANT


“GWEN STACY” D2C COVER VARIANT


“MILES MORALES” TARGET™ COVER VARIANT




ART ALBUM AND 3” RECORD SET
+ BRANDED TURNTABLE


CLIENT: METRO BOOMIN, BOOMINATI WORLDWIDE, 
REPUBLIC RECORDS, MARVEL ENTERTAINMENT, AND 
SONY PICTURES ANIMATION
ROLE: PACKAGING ART DIRECTION AND GRAPHIC DESIGN

CLIO® Bronze Award for Album Launch/Artist Promotion Integrated Campaign
 Focusing on the glitchy fascade of the album, the standard record package was reformatted as an 
“art album” to accomodate the rising popularity of album art as a display piece. The clients accepted 
my proposal to create a collectible set of 3” novelty and branded miniature turnable to round out the
 robust release of the film. All three miniature record jackets alone are abstract art, but when placed 
together reveal the official album art.

ART ALBUM FRONT AND BACK COVERS + CD
CD IN JACKET GATEFOLD
3” RECORD COVERS
COMBINE INTO ONE
“LINK UP” 3” RECORD
“SELF LOVE” 3” RECORD
“NAS MORALES” 3” RECORD
BRANDED MINI TURNTABLE



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